Production
The photography and lighting department is fundamental in creating the visual atmosphere. It is headed by the director of photography (DOP), who designs the lighting in close collaboration with the director to achieve the desired aesthetic. The gaffer, responsible for technical implementation, supervises the installation of lights and electrical equipment, while the best boy coordinates the team and manages the equipment. The technical electrical team sets up, operates, and takes down the lights as directed, ensuring precise and effective lighting for each scene.
The DOP faces several key challenges, such as balancing the director’s creative vision with the technical limitations of the filming team. Mastery of lighting is essential for establishing the right tone and atmosphere, while composition and framing are key to maximising the visual and narrative impact. Handling camera movement and selecting the right colour palette are crucial for supporting the narrative and visual style of the piece. Close collaboration with other departments, solving technical problems in changing conditions, and adhering to time constraints and budgets are essential to the role’s success.
ALVAR RIU
DOP Camera B
The steadicam operator plays a crucial role in producing smooth, stable shots in motion scenes. Their main responsibility is capturing fluid images while setting up and adjusting the equipment, working closely with the director and DOP to align the shots with the project’s creative vision. The advent of the steadicam has led to greater experimentation in visual storytelling, creating more immersive and dynamic sequences.
ALBERTO OJEDA
Steadicam
“The great thing about the steadi is that it gives you a lot of freedom. When you’re with a good director or DOP, on a huge set with actresses who really give their all, the ability to improvise and create beautiful images is incredible. It’s really cool because it’s like an open sky, and you’re a bird.”
ALBERTO OJEDA
CÉSAR VILLALBA & ALEX VALLESPÍN
1st Assistant Camera A and VTR
“This profession in general inspires you.”
CÉSAR VILLALBA
The assistant camera (AC) is a key member of the filming team, supporting the DOP. Their responsibilities include focusing the camera during shots, preparing and maintaining equipment, and changing lenses. They also organise and coordinate the technical team on set, troubleshoot technical issues, and ensure that filming runs smoothly and efficiently, contributing to the quality and continuity of the shoot.
The VTR (Video Tape Recorder) records takes during filming, ensuring that audio and video are synchronised, allowing for real-time review of scenes during production. It helps capture, review, and manage visual and audio content throughout the filming process.
